Typography 101 in 10 Minutes

Everything a beginner needs to know about typography

When it comes to typography, a little bit of knowledge goes a long way. People who understand good typography make our world a little more legible and beautiful. Let’s learn how…

Typeface vs. Font

Before you go any further, let’s address an area of confusion—the difference between a typeface and a font. A typeface describes the design of the letterform — a font is its vehicle. For example, Merriweather is a typeface; its different styles (like italic or bold) are fonts.


Type anatomy

Cap Height, X-Height, and Baseline

The X-height is the height of the lowercase x of a typeface. The copy of typefaces with larger x-heights appears bigger than typefaces with smaller x-height. In the example below, Montserrat appears larger than PT Sans …

The X-height is the height of the lowercase x of a typeface. The copy of typefaces with larger x-heights appears bigger than typefaces with smaller x-height. In the example below, Montserrat appears larger than PT Sans because of its higher x-height even though they are both rendered at 18px.

2.jpeg

Serif

A serif is an ending stroke of the larger stroke of a letter.

A serif is an ending stroke of the larger stroke of a letter.

Uppercase

Uppercase letters are the larger form of letters. The beginning of sentences and proper nouns use an uppercase letter.

Uppercase letters are the larger form of letters. The beginning of sentences and proper nouns use an uppercase letter.

Lowercase

Lowercase letters are the smaller version of letters that comprise the majority of the text in paragraphs.

Lowercase letters are the smaller version of letters that comprise the majority of the text in paragraphs.

Stem

A stem is the stroke length of vertical letters like capital T.

A stem is the stroke length of vertical letters like capital T.

Bowl

A bowl is the curved, rounded, closed area of a letter like in a lowercase a.

A bowl is the curved, rounded, closed area of a letter like in a lowercase a.

Descender

A descender is the part of some lowercase letters that go below the baseline of a typeface like a lowercase y.

A descender is the part of some lowercase letters that go below the baseline of a typeface like a lowercase y.

Ascender

An ascender is the part of some lowercase letters that go above the x-height of a typeface like a lowercase k.

An ascender is the part of some lowercase letters that go above the x-height of a typeface like a lowercase k.

Ligature

A ligature joins letters together to form one character.

A ligature joins letters together to form one character.

Finial

A finial is a tapered end of a letter like in a lowercase e.

A finial is a tapered end of a letter like in a lowercase e.

Terminal

A terminal is the curved end of a stroke like in a lowercase f.

A terminal is the curved end of a stroke like in a lowercase f.

Spine

A spine is the body of a lowercase s.

A spine is the body of a lowercase s.

Cross Bar

A counter is the enclosed area of a letter.

A counter is the enclosed area of a letter.

Type classification

Serif and Sans-serif are the two main typeface categories. Serif typefaces have extending features at the end of their strokes. Sans-serif typefaces are defined by what they are not; they don’t have serifs at the end of their strokes.

Serif and sans-serif typefaces further break down into these main classifications:

Humanist Sans-serif

Raleway is a Humanist sans-serif typeface.

Raleway is a Humanist sans-serif typeface.

Humanist typefaces incorporate aspects of calligraphy and have more stylistic flair than other sans-serif typefaces. Humanist typefaces often include modulating stroke widths, whereas others are closer to their Geometric brothers and sisters.

Geometric

Roboto is an example of a geometric typeface.

Roboto is an example of a geometric typeface.

Geometric typefaces were born out of the influential Bauhaus school in German. Geometric typefaces incorporate near-perfect universal shapes and embody minimalism.

Old-Style

Vollkorn is an example of an old-style typeface.

Vollkorn is an example of an old-style typeface.

Old-style typefaces, like humanist sans-serifs, have strong calligraphic influence. They feel classical and embody tradition.

Transitional

Libre Baskerville is an example of a transitional typeface.

Libre Baskerville is an example of a transitional typeface.

Transitional typefaces have the classical traits of old-style typefaces as well as modern tendencies. They are a great choice if you want a sophisticated look for a modern application.

Modern

Abril Fatface is an example of a modern typeface.

Abril Fatface is an example of a modern typeface.

Modern typefaces, also known as Didone, are characterized by thin, consistent serifs and thick strokes. This variation of the letterform creates a contrast that defines the classification.

Slab-serif

Arvo is an example of a slab-serif typeface.

Arvo is an example of a slab-serif typeface.

Slab-serif typefaces have thick block-like serifs. They became popular in the 19th-century when American advertising was being born.

Display typefaces

Special Elite is an example of a display typeface.

Special Elite is an example of a display typeface.

Display typefaces are fun, eccentric specimens. Things like posters or invitations often employ display typefaces. Display fonts look unique, but when they are overused, they start looking silly.

Typefaces to resist

Typefaces like Papyrus, Comic Sans, and Brush Script are notorious for being overused and dated. They have become a cliche of what not to use in the type world. Proceed with caution.Font styles

Typefaces like Papyrus, Comic Sans, and Brush Script are notorious for being overused and dated. They have become a cliche of what not to use in the type world. Proceed with caution.

Font styles

A superfamily comprises related fonts styles like regular, italic, light, bold, semi-bold, heavy, etc.

A superfamily comprises related fonts styles like regular, italic, light, bold, semi-bold, heavy, etc.

Combining typefaces

For an amateur, it’s far easier to mess up a good thing than improve it with more elements. Before considering an additional typeface, consider differentiating your existing typeface with varying size and style.

Merriweather goes well with Open Sans.

Merriweather goes well with Open Sans.

However, if you decide to combine typefaces, look for contrast rather than similarity. And for the love of type, limit yourself to one or at most two additional typefaces.

Kerning

Kerning, also known as letter spacing, is the individual area between each letter of a word. Bad kerning is everywhere and very few realize it. Kerning is usually adjusted in headings and logos.

An amateur designer may make countless revisions to a logo that looks a little off, all the while being oblivious to the inconsistency between each letter. Kerning issues become more obvious the larger you increase text.

An amateur designer may make countless revisions to a logo that looks a little off, all the while being oblivious to the inconsistency between each letter. Kerning issues become more obvious the larger you increase text.

Tracking

Tracking, also known as character spacing, is the space between letters. Increasing character spacing gives secondary text elements, like captions, a stylistic flair. Avoid character spacing in body copy.

Tracking, also known as character spacing, is the space between letters. Increasing character spacing gives secondary text elements, like captions, a stylistic flair. Avoid character spacing in body copy.

Line Spacing

Line spacing, also known as leading, is the space between each line of text. Too little leading makes text uncomfortable to read, but too much makes each line look like its own element. Leading between 1.3x and 1.6x the font size is ideal.

Line spacing, also known as leading, is the space between each line of text. Too little leading makes text uncomfortable to read, but too much makes each line look like its own element. Leading between 1.3x and 1.6x the font size is ideal.

Alignment

Text alignment can make or break a page. Usually, paragraphs are aligned left. Beware of justified text as it can cause spaces that run down the paragraph called “rivers.”

Text alignment can make or break a page. Usually, paragraphs are aligned left. Beware of justified text as it can cause spaces that run down the paragraph called “rivers.”

Hierarchy

Creating a typographic hierarchy is the most important way to guide the viewer through a text. Establish hierarchy by distinguishing text in various ways. You can differentiate a header from its body copy in multiple ways, like increasing its size o…

Creating a typographic hierarchy is the most important way to guide the viewer through a text. Establish hierarchy by distinguishing text in various ways. You can differentiate a header from its body copy in multiple ways, like increasing its size or merely making it bold. There is no limitation to the various ways a designer can add hierarchy; the important thing is that they do.

Previous
Previous

Getting Started with Instagram Stories

Next
Next

The Ultimate Guide to Instagram Stories in 2020